I wasn't really satisfied with the first pictures made with my Zeiss Ikon pinhole camera, therefore I modified it a little bit. I replaced the Rollei lens cap with a Canon FD rear lens cap. So the focal length changed from 45mm to 70mm.
Focal length: 70mm
Diameter: 0.353mm
fStop: 198
Image circle: 134mm
I shot some landscape pictures and a few of the Fernmeldeturm Grünwettersbach, but just one picture became something, but this is also very unsharp...
I think the first modification of the camera was still better than the second one, but in any case it was the last time I've used a pinhole camera...
Showing posts with label pinhole. Show all posts
Showing posts with label pinhole. Show all posts
11 December, 2016
03 March, 2016
The Zeiss Ikon Days - part 5.
Now the fifth and last part of the Zeiss Ikon Days, where I also used my Zeiss Ikon pinhole camera in combination with a Manfrotto 055XPROB tripod and the 496RC2 compact ball head.
The film I used was the AgfaPhoto APX 100. I used to determine the exposure time with the Ilford Pinhole Exposure Calculator. They were six minutes indoor and eight seconds outdoor.
Everything went very good until the 19th frame as the camera made problems with the transport of the film. The result was that the film ripped. At home I tried to get the film back into the cartridge, which was a delicate matter. But I managed it somehow. After this mess I was lucky that the labor developed the film. It took a little, but here are five of seven pictures which survived this little experiment...
Well, I think I still have to refine a little bit the pinhole camera for the next time.
The film I used was the AgfaPhoto APX 100. I used to determine the exposure time with the Ilford Pinhole Exposure Calculator. They were six minutes indoor and eight seconds outdoor.
Everything went very good until the 19th frame as the camera made problems with the transport of the film. The result was that the film ripped. At home I tried to get the film back into the cartridge, which was a delicate matter. But I managed it somehow. After this mess I was lucky that the labor developed the film. It took a little, but here are five of seven pictures which survived this little experiment...
Well, I think I still have to refine a little bit the pinhole camera for the next time.
Labels:
analog,
blackandwhite,
doityourself,
people,
pinhole,
safa-arts,
self,
zeissikon
04 January, 2016
DIY Pinhole Camera
It's some years ago I made for the last time something with pinhole cameras. First I built the Dacora Obscura, which was the ultimative letdown. Just one picture was okay. Then I built some "pinhole lenses", which were really good, but the results weren't what I expected.
After these experiences I lost the pleasure to make more with pinholes.
But some days ago I found at Ebay a Zeiss Ikon Contina Ia (type 526/24) without lens and shutter, it was just the camera body and the old leather bag.
Because of this the camera was very cheap and instantly when I saw it I had the idea to make a pinhole camera out of it. Therefore I bought it.
The Contina arrived today and I attached an old 48mm Rollei lens cap to the camera. The lens cap perfectly matched. After this I measured the focal length, which is 45mm and used the pinhole size calculator to determine the diameter of the hole. Then I made with a needle a tiny hole in the middle of the lens cap.
Focal length: 45mm
Diameter: 0.283mm
fStop: 159
Image circle: 86,4mm
I hope I can soon show photos taken with this new DIY pinhole camera.
After these experiences I lost the pleasure to make more with pinholes.
But some days ago I found at Ebay a Zeiss Ikon Contina Ia (type 526/24) without lens and shutter, it was just the camera body and the old leather bag.
picture from the ebay seller |
picture from the ebay seller |
Because of this the camera was very cheap and instantly when I saw it I had the idea to make a pinhole camera out of it. Therefore I bought it.
The Contina arrived today and I attached an old 48mm Rollei lens cap to the camera. The lens cap perfectly matched. After this I measured the focal length, which is 45mm and used the pinhole size calculator to determine the diameter of the hole. Then I made with a needle a tiny hole in the middle of the lens cap.
Focal length: 45mm
Diameter: 0.283mm
fStop: 159
Image circle: 86,4mm
I hope I can soon show photos taken with this new DIY pinhole camera.
10 December, 2011
Locostgraphy.
What means Locostgraphy?
I didn't create this term, but I've read it at the yahoo group Praktica Users Group Worldwide as they had a conversation about this post of my blog.
I was very happy that these guys have found my blog and I decided to join this group.
Now I don't want to repeat their explanation about the term Locostgraphy, but my point of view.
In 2005 as I started to photograph, I've got only a little compact digital camera with 5 Megapixel, which was a wonderful camera and I made wonderful pictures with it. But I wanted more, I wanted a more sophisticated camera, but my pocket book was very low.
So I went to flea markets and the first camera I've bought was a Zenit ET by Belomo with the Helios 44M-7 2/58mm lens for 15 Euro and a Revuenon Special 2.8/135mm lens for 10 Euro.
The Zenit was, as for many other people, my first SLR and I thought: Wow the camera rocks!
But I wanted more and bought many old cameras at flea markets.
A time ago I made a statistic about my equipment, for example "How many times I've used each camera?" and so on. And of course I've calculated how much I've invested in my cameras. I've bought up to that point 40 analog cameras and paid for them in total 479.49 Euro.

It's nearly 12 Euro for each camera, for the little compact digital camera with 5 Megapixel I paid 199 Euro, more than ten times than for a used analog camera.
Yes this is an explanation for the term Locostgraphy, because the expenses for the cameras were low.
But of course Locostgraphy is more than this. Namely, in relation to today, the technology of these old cameras can be low, but not necessarily. For their time they were up to date, but with the revolution of the digital cameras, these old analog cameras became old stuff, what explains the relatively low prices today.
Today you can buy a Pro-SLR from the 90s, what is almost the same as a modern Pro-DSLR, but of course with film, for little money. But is an old Pro-SLR a part of Locostgraphy?
In 2009 I've bought a Leica R4 with a Elmarit 2.8/35mm for 1300 Reais, approximate 540 Euro. For a Leica a low price and in comparison to a new Pro-DSLR it's a ridiculous amount, but remember I paid for 40 cameras 479.49 Euro.
Yes, at least now there is the question: Can (old/used) analog cameras compete with (new) digital cameras? The old battle Analog vs. Digital! Read my view to this battle here!
Today you can buy used analog cameras, but also new analog cameras, for example the Lomography stuff, these cameras are just lo-tech, but no lo-cost.
Therefore you can make with these cameras Lotechgraphy with lo-tech effects, but for a high price.
Another part of Locostgraphy is the DIY-section. Of course DIY is always a lo-tech solution, but in comparison to the Lomography style, really lo-cost.
If you build DIY-lenses, for example DIY-macro lenses, you can easily create very cool effects, which are just as great as the Lomography effects, or better.

Another question is: Are digital cameras a part of Locostgraphy?
Yes of course! The first digital cameras, for example the Sony Mavica series, are now a part of Locostgraphy. The picture quality is almost the same, or even poorer, as by cheap and simple analog cameras, like the pocket- or instamatic-cameras. And the most important, the cameras are thrown at one on ebay and flea markets. I paid 5 Euro at a flea market for a 2Megapixel Canon PowerShot A200. I love this camera and use it very often.
The conclusion is, that Locostgraphy not necessarily means lo-tech, but that you get for little money a lot of camera! See here 5 combinations of the Locostgraphy style!
Finally, a wonderful quote by Man Ray:
"Two or three lights [for greater speed in working], any lens on a light-tight box [no progress has been made in cameras since their invention], and a bottle of developer, are sufficient for the realization of the most convincing image."

I was very happy that these guys have found my blog and I decided to join this group.
Now I don't want to repeat their explanation about the term Locostgraphy, but my point of view.
In 2005 as I started to photograph, I've got only a little compact digital camera with 5 Megapixel, which was a wonderful camera and I made wonderful pictures with it. But I wanted more, I wanted a more sophisticated camera, but my pocket book was very low.
So I went to flea markets and the first camera I've bought was a Zenit ET by Belomo with the Helios 44M-7 2/58mm lens for 15 Euro and a Revuenon Special 2.8/135mm lens for 10 Euro.
The Zenit was, as for many other people, my first SLR and I thought: Wow the camera rocks!
But I wanted more and bought many old cameras at flea markets.
A time ago I made a statistic about my equipment, for example "How many times I've used each camera?" and so on. And of course I've calculated how much I've invested in my cameras. I've bought up to that point 40 analog cameras and paid for them in total 479.49 Euro.

It's nearly 12 Euro for each camera, for the little compact digital camera with 5 Megapixel I paid 199 Euro, more than ten times than for a used analog camera.
Yes this is an explanation for the term Locostgraphy, because the expenses for the cameras were low.
But of course Locostgraphy is more than this. Namely, in relation to today, the technology of these old cameras can be low, but not necessarily. For their time they were up to date, but with the revolution of the digital cameras, these old analog cameras became old stuff, what explains the relatively low prices today.
Today you can buy a Pro-SLR from the 90s, what is almost the same as a modern Pro-DSLR, but of course with film, for little money. But is an old Pro-SLR a part of Locostgraphy?
In 2009 I've bought a Leica R4 with a Elmarit 2.8/35mm for 1300 Reais, approximate 540 Euro. For a Leica a low price and in comparison to a new Pro-DSLR it's a ridiculous amount, but remember I paid for 40 cameras 479.49 Euro.

Today you can buy used analog cameras, but also new analog cameras, for example the Lomography stuff, these cameras are just lo-tech, but no lo-cost.

Another part of Locostgraphy is the DIY-section. Of course DIY is always a lo-tech solution, but in comparison to the Lomography style, really lo-cost.


Another question is: Are digital cameras a part of Locostgraphy?
Yes of course! The first digital cameras, for example the Sony Mavica series, are now a part of Locostgraphy. The picture quality is almost the same, or even poorer, as by cheap and simple analog cameras, like the pocket- or instamatic-cameras. And the most important, the cameras are thrown at one on ebay and flea markets. I paid 5 Euro at a flea market for a 2Megapixel Canon PowerShot A200. I love this camera and use it very often.

Finally, a wonderful quote by Man Ray:
"Two or three lights [for greater speed in working], any lens on a light-tight box [no progress has been made in cameras since their invention], and a bottle of developer, are sufficient for the realization of the most convincing image."
Labels:
analog,
camera,
canon,
digital,
exa,
insta,
instamatic,
kate,
leica,
leica copy,
mavica,
medium format,
pinhole,
pocket-camera,
pola,
tips,
TLS401,
toycamera,
zenit,
zenitET
22 October, 2010
1 camera + 19lenses = 19pictures
The project is:
1 camera: Praktica LTL3
19 lenses: all my M42-lenses
Here come the 19 pictures:
You can also watch the pictures here!
pictures by Fabricio Schmidt
music: Incubus - Drive
1 camera: Praktica LTL3
19 lenses: all my M42-lenses
![]() |
Praktica LTL3 plus 19 lenses |
Here come the 19 pictures:
![]() |
"structure of an orchid I": Praktica LTL3 - Porst MC auto 1.7/50mm (made by Cosina) - Kodak Color Plus 200 - Metz Mecablitz 20BC6 - Photoshop CS: sandwich of 2 pictures |
![]() |
"never ever trust an escape vehicle 2010": Praktica LTL3 - Isco Göttingen Westanar 2.8/50mm - Kodak Color Plus 200 |
![]() |
"my view 2010": Praktica LTL3 - Helios 44M-4 2/58mm - Kodak Color Plus 200 |
![]() |
"animal kitchen 03": Praktica LTL3 - Paximat 4.5/80-200mm - Fuji Pro Value II 200 |
![]() |
"fern - version s.": Praktica LTL3 - Revuenon MC alias Enna München Tele-Ennalyt MC 2.8/135mm - Kodak Color Plus 200 - Metz Mecablitz 20BC6 |
![]() |
"coloriertes ambiente 2010": Praktica LTL3 - Porst Color Reflex Auto 2.8/55mm - Kodak Ultra Max 400 |
![]() |
"ich will mein leben zurueck 2010": Praktica LTL3 - Porst Tele alias Enna München Tele-Ennalyt 3.5/135mm - Kodak Ultra Max 400 |
![]() |
"hidden orchid": Praktica LTL3 - Porst Weitwinkel alias Enna München Lithagon 3.5/35mm - Kodak Ultra Max 400 |
![]() |
"walk the line 2010": Praktica LTL3 - Revuenon Special 2.8/135mm - Kodak Ultra Max 400 - Photoshop CS |
![]() |
"guten abend ich bin das böse 2010": Praktica LTL3 - Helios 44M-6 MC 2/58mm - Fuji Superia XTRA 400 |
![]() |
"emancipate yourself from mental slavery": Praktica LTL3 - Porst Tele 3.5/135mm - Fuji Superia XTRA 400 |
![]() |
"the great beyond": Praktica LTL3 - Carl Zeiss Jena Tessar 2.8/50mm - Fuji Superia XTRA 400 - Photoshop CS |
![]() |
"this was a media war": Praktica LTL3 - Rikenon 1.7/50mm - Fuji Superia XTRA 400 |
![]() |
"light accident": Praktica LTL3 - Meyer-Optik Görlitz Domiplan 2.8/50mm - Fuji Superia XTRA 400 - Photoshop CS |
![]() |
"confusity": Praktica LTL3 - Exaktar SFX 35 - Ilford Multigrade Filter 4 + 5 - Kodak Color Plus 200 |
![]() |
"eat my shorts": Praktica LTL3 - Exaktar SFX 135 - Kodak Color Plus 200 |
![]() |
"studie 9989": Praktica LTL3 - Pinhole 1:176/55mm - Kodak Color Plus 200 |
![]() |
"it's dark now 2010": Praktica LTL3 - Pinhole 1:205/75mm - Kodak Color Plus 200 |
![]() |
"santa catarina 2010": Praktica LTL3 - Helios 44M-7 MC 2/58mm - Fuji Superia XTRA 400 Photomontage inspired by the photomontage "Illinois, 1979" by Ken Josephson |
You can also watch the pictures here!
pictures by Fabricio Schmidt
music: Incubus - Drive
Labels:
analog,
blackandwhite,
color,
effect-filter,
flash,
ltl3,
nature,
people,
photomontage,
pinhole,
PrakticaL,
pseudo-solarisation,
sandwich,
self,
solarisation,
song,
SpecialFX,
street,
urban,
video
23 September, 2010
DO IT YOURSELF: A TABLE TOP BACKGROUND
Sometimes you need a good and neutral background for table top pictures, for example for a shot of your camera or other things.
This background is very easy to make.
What you need:
tools:
_ scissors
materials:
_ a white cardboard(I used the size 50x66cm)
_ a chipboard (I used the board of an old picture frame in the size 40x50cm)
_ carton
_ double-sided tape
_ toothpicks
_ optional: a rack, table, chair,... (I used my old rack of my keyboard)
In under 5minutes you have your table top background.
Logical that you need the right light, but this is an other topic:)





Here some shots with my Canon EOS Rebel XSi and the built-in flash, the model is my Porst Compact Reflex S with one of the pinhole-lenses:


With the right light the background is white and not gray.
Here a wonderful site with DIY Projects
This background is very easy to make.
What you need:
tools:
_ scissors
materials:
_ a white cardboard(I used the size 50x66cm)
_ a chipboard (I used the board of an old picture frame in the size 40x50cm)
_ carton
_ double-sided tape
_ toothpicks
_ optional: a rack, table, chair,... (I used my old rack of my keyboard)
In under 5minutes you have your table top background.
Logical that you need the right light, but this is an other topic:)





Here some shots with my Canon EOS Rebel XSi and the built-in flash, the model is my Porst Compact Reflex S with one of the pinhole-lenses:



Here a wonderful site with DIY Projects
Labels:
camera,
digital,
doityourself,
flash,
kate,
light,
making-of,
pinhole,
still life,
tips
03 December, 2009
Making-of: with the pinhole in the forest.
Today I was with the Praktica F.X 3 and one of the pinhole-lenses in my little forest behind my house. Some days ago I put an Ilford FP4+ in the Praktica.
But before the pinhole pictures will come, I want to show some impressions of this session:









But before the pinhole pictures will come, I want to show some impressions of this session:










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